![]() At its best, however, it comes up with a defiantly pop, richly melodic take on Krautrock. You'd be hard-pushed to call Beautiful Future anything other than patchy: it veers from a beautiful, reverb-drenched cover of Fleetwood Mac's Over and Over, featuring Linda Thompson, to the utterly wretched gospel-influenced Zombie Man. However often they sink into the comforting torpor of Stones-influenced retro-rock, they eventually rouse themselves and try something different. Perhaps the privilege extended Primal Scream can be explained by the band's unique and impressive sense of restlessness. ![]() It was subsequently revealed to be a derivative, self-parodic, stupid album delivered in deadly earnest, but by then the reviews were out: Primal Scream had got away with it again. Perhaps it's down to nostalgia: the present writer found himself among those unable to believe that the band behind the epochal Screamadelica and XTRMNTR could have dished up something as derivative, self-parodic and stupid as their 2006 album Riot City Blues, and concluded it was all a knowing joke: four out of five. I s any contemporary artist cut quite as much slack as Primal Scream? In recent years, they have regularly received weird, circle-squaring reviews in which adjectives like "embarrassing" and "ridiculous" figure heavily, but the star rating remains stuck at four or five.
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